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Blue Hole Wisdom | Leadership | Women's Empowerment

Micro-Lending Circles: From Mongu to St. Louis

a presentation to Women’s Voices of St. Louis March 13, 2014 Mongu In the weeks leading up to my trip to Zambia with Women’s Global Connection, I was excited about my upcoming trip to do workshops on micro-lending and fundraising in Mongu. And then the day of departure actually arrived and I realized that I…

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Butterflies and Bees: Sharing Opportunity

A few years ago my friend, Ann, brought me a bouquet of Mexican sunflowers as a surprise. In their overblown lushness they are the my garden’s equivalent of Betty Boop flowers. This morning a butterfly went from flower to flower doing the work of pollination. After a few minutes the bee arrived and took up…

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Leadership | Women's Creativity | Women's Empowerment

Quiet Leadership

photo by Taline Manassian We had a day of silence while at Aldermarsh for the PeerSpirit writing workshop. I didn’t know how that would work for me. Life is loud. We are always talking, sometimes all at once, pushing our points of view. But this is a space where cell phones don’t work. Rather than…

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Blue Hole Wisdom | Leadership | Musings from the Studio | Women's Empowerment

Relationships: Begin as You Mean to Go on

When I am throwing at the wheel, typically I begin as I mean to go on. As I center the clay, I am intentional. For a vase, I keep my left hand firm against the side to maintain a centered clay column; I push down with my right fist and strong arm the clay into…

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Blue Hole Wisdom | Leadership | Women's Empowerment

Walking over the Alder Marsh–Passing Over Obstacles

Recently I attended a PeerSpirit writer’s retreat at Alder Marsh on Whidbey Island off of the Seattle Coast where I spent a week in a cabin cushioned by soft air among Douglas firs and alders. Communal gatherings were at the Marsh House, a low round building in a grassy clearing on the far side of…

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Leadership | Musings from the Studio | Women's Empowerment

Being Intentional: A Path to Equity

At my pottery studio I mix my own glazes in a century-old cool gray stone cellar with half-windows that provide dappled natural light. Silica is usually the dominant ingredient, followed by ball clay and kaolin. They are heavy flour. Neph sy is lighter and a bright white while strontium carbonate that makes me think of…

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